How to Turn Your Book & Expertise Into Business

If you’re an expert in your field — whether that’s business, healthcare, psychology, finance, law, or any other discipline — writing a book, or strategically marketing a book you’ve already published, may be one of the smartest moves you can make. Not primarily because of book sales. But because of what the book unlocks. It’s important to realize that your book is not the destination. It's the engine.

In over thirty-five years representing authors, I’ve seen one pattern that has proven itself repeatedly: the authors who treat their book as a strategic platform — rather than simply a product to sell — are the ones who build lasting careers, expand their businesses, and reach audiences they never anticipated.

The clearest example I can offer is my own. When I launched Anthony Mora Communications, Inc., I wrote two books on public relations — Spin to Win and The Alchemy of Success. Yes, I wanted to sell books. But the real goal was bigger: establish credibility, build the business, and position myself as an authority in a competitive field. The books became the engine that drove everything else.

The Strategy Behind the Story

The key was in how we approached the PR campaign for the books themselves. We could have pitched them narrowly — here’s a book about how public relations works. That’s a limited story with a limited audience.

Instead we threw a wider net. The pitch focused on how celebrities, businesses, and public figures could use PR to strengthen their message, navigate damage control, and leverage media to build their brand. It was a story with broad relevance — and broad relevance attracts broad coverage.

The result was significant. We landed coverage on NBC, CBS, ABC, CNN, MSNBC, and the BBC. The New York Times, the Los Angeles Times, and numerous other major outlets covered the story. That level of media exposure didn’t just sell books, opened doors, established the firm’s reputation, and brought in clients who might never have found us otherwise.

Why Traditional PR Changes the Equation

There is something uniquely powerful about traditional media coverage that advertising and social media simply cannot replicate. When you’re featured in a legitimate media outlet such as a newspaper, a TV program, a magazine, or a podcast, you’re not buying attention. You’re earning it. That distinction matters enormously to potential clients, patients, customers, or partners who are evaluating whether to trust you.

Traditional PR also reaches people you couldn’t otherwise reach. Your existing network already knows you. Media coverage introduces you to audiences you haven’t met yet — people actively looking for exactly the expertise you offer, who now encounter you with the implicit endorsement of a credible outlet behind your name.

And perhaps most valuably — you get to tell your story. Not an advertisement’s version of it. Your actual story, in your own voice, in a context that positions you as the authority you already are.

The Book as Strategic Platform

For experts in any field, a book reframes how the world sees you. You move from practitioner to authority. From service provider to thought leader. The book gives media a reason to call you. It gives speaking event organizers a reason to book you. It gives prospective clients a reason to choose you over a competitor with equivalent experience but no published work.

The opportunities that come from that shift are often ones you never anticipated. A media appearance leads to a speaking engagement. A newspaper feature leads to a corporate contract. A radio interview leads to a partnership. This is not theory — it is how careers and businesses are built.

The Takeaway

Many authors publish and move on, never fully leveraging what they’ve created. A book doesn’t have an expiration date. The expertise it represents is as relevant today as the day it was published — and in many cases a fresh PR campaign built around a broader strategic narrative can generate significant media coverage years after the original publication date. The book is still the engine. It just needs the right campaign behind it.

The story your expertise tells is bigger than your book — and it reaches further than you think. Whether you have a manuscript in progress or a published book that hasn't yet reached its full audience, the starting point is the same: identifying that bigger story, understanding who needs to hear it, and finding every angle that brings it to life. That's when the magic starts.

For More Information contact us today here at  PR for Writers.

Why Traditional PR Remains the Gold Standard for Author Success

I started my career as a journalist and magazine editor, and what I loved most was the space it gave me to tell in-depth stories. Whether I was writing a feature on an emerging artist or conducting an interview with a novelist, readers got more than just information—they got to meet the person behind the work. They could sense their passion, understand their perspective, and connect with their story in a way that felt intimate and real.

When I transitioned from journalism to public relations over three decades ago, my appreciation for traditional media deepened. Now, instead of being the one telling the stories, I was positioning my clients to have their stories told. And I quickly realized something crucial: there is no more powerful way to build an author's brand than through earned media coverage.

The Power of Third-Party Credibility

When an author appears on NPR, gets featured in a major newspaper, or is interviewed on a respected podcast, something remarkable happens—instant credibility. Unlike paid advertising or self-promotion on social media, traditional media coverage comes with the implicit endorsement of editors, producers, and journalists who've determined this author and their work are worth their audience's attention. That editorial validation is priceless and impossible to replicate through any other channel.

Depth That Digital Can't Match

A thoughtful magazine profile, a ten-minute television segment, or a 45-minute podcast interview allows audiences to truly meet the author. They hear the passion in their voice, understand the research behind their work, learn what drove them to write this particular book. Social media offers fleeting impressions; traditional media offers meaningful connection. Readers who discover an author through a compelling interview don't just buy the book—they become invested in that author's career.

Longevity and Reach

Traditional media placements have staying power. A feature in a respected publication lives online indefinitely. A television appearance can be shared, referenced, and leveraged for years. These placements become permanent credentials—"as seen on CNN" or "featured in The Washington Post"—that elevate an author's stature every time they're mentioned. And while social media algorithms constantly change, traditional media outlets still command massive, engaged audiences who trust their content curation.

The Multiplier Effect: Where Traditional Meets Digital

The most effective marketing approach melds traditional PR with social media strategy. Strategic traditional PR creates momentum that extends far beyond the initial placement. A strong television appearance becomes shareable content across platforms. A compelling newspaper interview gets amplified to thousands through strategic social posting. Media coverage provides the credible content that fuels email marketing, drives engagement on author websites, and gives social media followers something substantial to share with their networks.

When you combine the authority of traditional media with the reach and engagement of social platforms, you create a powerful echo chamber where credibility meets visibility. The media placement establishes the author as legitimate; social media ensures that legitimacy reaches and resonates with the widest possible audience.

Building Authority, Not Just Awareness

Social media builds followers. Traditional PR builds authority. When authors establish themselves through earned media, they're not just raising awareness—they're positioning themselves as experts, thought leaders, and voices worth listening to in their field. That distinction matters enormously in a crowded marketplace. And when that authority is strategically amplified through social channels, you create both credibility and community—the two pillars of lasting author success.

After 34 years in this business, I've seen trends come and go, platforms rise and fall. But the fundamental power of traditional media to introduce authors to audiences in meaningful, credible ways hasn't changed. It remains the strongest foundation for building a lasting author brand—one that, when combined with smart social media strategy, creates genuine buzz and turns readers into lifelong fans.

For further information visit: www.prforwriters.com

Why Being the Story Matters More Than Writing the Story

In the world of public relations and author branding, a fundamental question emerges: is it better to be written about or to write articles yourself? While both approaches have merit, being the subject of media coverage offers distinct advantages for brand building that often surpass the benefits of bylined content.
When an author is interviewed or featured in media coverage, they gain the powerful endorsement of third-party credibility. As PR professionals understand, earned media—coverage you don't pay for—carries significantly more weight with audiences than content you create yourself. This external validation signals to potential readers that an author's ideas are worthy of attention from respected publications and journalists.

Media interviews position authors as experts whose opinions are sought after, rather than individuals merely promoting their own perspectives. This subtle distinction creates a perception of authority that's difficult to achieve through self-written articles. When The New York Times quotes an author or a morning show features them as a guest expert, it implicitly tells audiences: "This person's expertise matters."
The reach factor cannot be overlooked either. Featured authors gain access to established media platforms' existing audiences—often numbering in the millions—rather than competing for attention through their own channels. This exposure to new, diverse audiences is invaluable for brand building and expanding an author's reach beyond their current following.

Being featured in media creates shareable content that boosts an author's credibility across platforms. An interview clip or feature article can be repurposed across social media, websites, and promotional materials, amplifying the initial impact and providing ongoing brand benefits.
That said, bylined articles do help. They provide complete message control, allowing authors to express their ideas exactly as intended without interpretation by journalists. They also demonstrate writing ability directly, which can be particularly important for authors building their writing credentials. And regularly published articles can help establish consistent positioning on specific topics or issues.
However, these benefits typically complement rather than replace the power of being featured in media coverage. The most effective PR strategies often combine both approaches, using bylined articles to maintain visibility while pursuing high-impact media features that position authors as newsworthy subjects rather than merely content creators.

The ultimate goal of author branding is to build recognition, credibility, and audience. When authors become the story—rather than simply telling stories—they achieve this aim more effectively, elevating their status from writers to recognized authorities whose perspectives and books command attention in an increasingly crowded marketplace.

For more information visit: www.prforwriters.com

Students Shine a Light where Politicians Have Cowered

"When your children act like leaders and your leaders act like children, you know change is coming.” 

So Tweeted Mikel F. Jollett

” We’ve had enough. We are the generation that was born after Columbine. We have lived with is our entire lives and now it happened at my school. I spent two hours in a closet just hiding and I am done hiding. We're done hiding. America has done hiding.” 

Matt Dietsch, survivor of the Stoneman Douglas High School shooting

At its best, media informs, educates and engages. In this case, some of the coverage of the students speaking out in the aftermath of the shooting has shown the media at its best.

Students from Stoneman Douglas High School have sounded the alarm and brought the gun control debate to the forefront days after they survived a mass shooting on campus on Feb. 14.

The suspect, a former student, entered the school with a legally purchased AR-15 semi-automatic rifle and killed 17 people.

Over the last few days, we've seen the power of voices raised as one. The students of Stoneman Douglas and the other students around the nation who have joined with them have been able to bring an issue to light to shine a light on it that no other group has before.

Gun violence in America is an issue that has been one where empty rhetoric has replaced action as countless innocent victims have been senselessly gunned down. On one side of the aisle, politicians afraid of alienating their base, afraid of losing votes and afraid of losing funding, have chosen their political careers over lost lives. On the other side, those who thought this was a losing issue and one not worth the battle, have backed down.

But all that is changing, students whose lives have been affected have raised the alarm and as they persevere, they are making a difference. Dubbed the "Never Again" movement, the teenage activists are utilizing the traditional media, being interviewed on television, radio, newspapers, and magazines.  They are also mobilizing on social media, organizing school walkouts, and planning a nationwide protest for March 24.  They are sending a message and those who turned deaf ears to so many in the past are being forced to listen.

#BoycottNRA hashtag has taken on a life of it’s on and it is making a difference.  A partial list of companies who have cut ties with the NRA include:

Whether this new movement will continue to have an impact, or whether the political powers that be will be able to shut it down as they have other attempts to raise the alarm, still needs to be seen. Regardless, these students have changed the landscape forever. They have raised their voices, have been heard and they now understand that they can impact society as a whole. The fact that it took this many deaths and children raising their voices to be heard is a sad commentary on where we are as a nation.

And now it is up to the rest of us. America now needs to stand with its children and the media needs fulfill its obligation by keeping a spotlight on the issue and not letting it die or become simply another news cycle that passes and is forgotten.

If You’re an Author – You Need PR!

Whether you’ve signed with a major publishing house, a boutique publisher or have self-published your book, there is one constant…

You need to market!

Unless you have very deep pockets and want to try the paid advertising, commercial route, your best bet is going to be a combination of a public relations outreach combined with a social media campaign

Why PR?

Because public relations is the only form of marketing that reaches your target market and offers you the credibility and validation of being featured in the media. You are not in a commercial or an ad. You are featured in the news.

To start, keep in mind that marketing your book, is different than marketing yourself as an author. A book can be an engine that helps pull the train, but the overall train is your image and brand as a writer. One of the problems with publishing houses is that they focus solely on marketing books and often overlook valuable PR and marketing opportunities that can be gained from marketing the writer.

I understand a publisher’s perspective. They’re going to make their return off the book sales and the author might not be with them a year or two down the line.

But as an author, you need to think more long term. Each book is a part of your canon. No one work defines you. Your marketing, PR and branding focus needs to be on your overall career as an artist.

Still, if you do have a book coming out, you’re then working with a specific timeline and need to develop a marketing and PR plan targeting your book release. Write out your plan. Have it include objectives, timeframe, goals and strategies. Whether you’re self-publishing or working with a traditional publishing house will change your approach.

If you’re self-published, you know that the marketing is going to be your responsibility. If you’re working with a publisher, they should give you some guidance, but do not expect them to take care of your PR and marketing needs.

Realize that no matter what your situation, you are going to have to take charge of your marketing. If you can hire a PR firm, do it. If not, there are still steps that you can take to promote and market your work.

Do some homework.

Learn some of the PR basics.

Remember effective PR is effective storytelling.

And who better than an author to tell a story?

 

Yep, That's Shakespeare Too.

I was reading about (yet another) pop culture phenomenon who was described as the “be-all and end-all.” I mercifully forget who the article was about, but remembered that there would be no “be-all and end-all” without Shakespeare. He not only came up with unique phrases and word combinations, he created new words. On the high end, there are estimates that claim he created as many as 20,000 new words, others state that the Bard coined between 1,000 to 2,000 words. There is a wide gap there, but regardless, the fact remains that much of what we say, how we say it and what we think are due to the words he introduced.

You have to give the devil its due. Yep, that’s Shakespeare too.

Language shifts and changes organically. Latin, French, and Old Norse brought words which were incorporated into English. But Shakespeare was a force unto himself. He changed nouns into verbs, turned verbs into adjectives, connected words in new ways, added prefixes and suffixes, and created entirely new words.

Why?

Necessity.

He wanted to say what he wanted to say how he wanted to say it and if the words weren’t there, he created them.

Addiction, assassination, eyeball, Inaudible, swagger, uncomfortable, bedazzled, are just a fraction of the words attributed to him. And the remarkable part isn’t simply that he created new words and phrases (people continually try that) but that so many took hold and are now a part of our lexicon.

It wasn’t simply the creation of new words, but also the unique combination of words to express an idea or concept, that made the impact of his works so timeless. People who have never seen, read, or heard a work by Shakespeare have been touched by his writings. In many ways, he has altered and transformed our language. We all now carry the words he created and the phrases he coined.

All that glitters ("glisters") is not gold.

Bated breath.

Be-all and the end-all.

Brave new world.

Break the ice.

Brevity is the soul of wit.

Devil incarnate.

In my heart of hearts.

Those are but a few examples of Shakespeare at work.

Language is fluid and change is an inevitable and continual process. Not that long ago the phrase “to Google,” or tweet” would seem completely nonsensical. Shakespeare is not alone in creating new English words and phrases, but as to the impact one person has made, he certainly is unrivaled.

He changed how we think and how we communicate, but that was a byproduct of his search to find the language he needed to tell his tales.

For Shakespeare necessity truly was the mother of invention.

So, how does this relate to you?

Glad you asked.

As writers, when we hit stumbling blocks and need to figure out new ways to reach goals. And there Shakespeare is not a bad role model. Whether it has to do with the act of writing, the business of writing or the marketing of your work, sometimes it’s worth following Will’s footsteps and thinking outside of the preverbal box. (No, that’s not his).

I’m not advocating you start work on a new language, but, depending on the problem at hand, it could mean creating new a new approach, system, perspective, or yes, maybe even a new word. Who knows what you’ll come up with by using his unique creative approach to problem solving?

And if you have missteps along the way, that’s fine. That’s part of the process. Not all of his words are with us today; mistempered , attasked and oppugnancy are apparently some Shakespearean creations that did not take hold.

Not even he batted a thousand.

I wonder who came up with that phrase?

An Author’s PR Roadmap

Whether you’ve signed with a major publishing house, a boutique publisher or have self-published your book, there is one constant…

You need to market!

PR, marketing and promotion are not luxuries for authors, they are necessities.

The question authors need to ask is not if you should market, but when and how.
Your best bet is going to be a combination of a public relations outreach combined with a social media campaign.

Why PR?

Because public relations is the only form of marketing that reaches your target market and offers you the credibility and validation of being featured in the media.
You are not in a commercial or an ad.
You are featured in the news. You are the news!
To start, keep in mind that marketing your book is different than marketing yourself as an author. A book can be an engine that helps pull the train, but the overall train is your image and brand as a writer. One of the problems with publishing houses is that they focus solely on marketing the book and often overlook valuable PR and marketing opportunities that can be gained from marketing the writer themselves.
I understand a publisher’s perspective. They’re going to make their return off the book sales and the author might not be with them a year or two down the line.

But as an author, you need to think more long term. Each book is a part of your canon. No one work defines you. Your marketing, PR and branding focus needs to be on your overall career as an artist.
Still, if you do have a book coming out, you’re then working with a specific timeline and need to develop a marketing and PR plan targeting your book release. Write out your plan. Have it include objectives, timeframe, goals, strategies and tactics. Whether you’re self-publishing or working with a traditional publishing house will change your approach.
If you’re working with a publisher, they should give you some guidance, but do not expect them to take care of your PR and marketing needs. Realize that you are going to have to take charge of your marketing. If you can hire a PR firm, do it. If not there are still steps that you can take to promote and market your work.

Do some homework.
Learn some of the PR basics.
And remember, effective PR is effective storytelling.
And who better to tell a story than –
An author!

Breakfast with Burroughs

I met William Burroughs twice. The first time I wasn’t completely forthcoming. It was at a reading he had in downtown L.A. I introduced myself to him after the reading and explained I had an assignment to do an interview with him. I did have writing assignments, but they were all to interview musicians. But I was more interested in interviewing Burroughs, so, the taffy-like stretching of the truth.

And, there definitely was a rock connection; Burroughs pretty much wrote the dictionary of rock. The term 'heavy metal' first appeared in print in The Soft Machine. One of the characters is described as "the Heavy Metal Kid.’ There was also a band called The Soft Machine. Steely Dan took their name from a steam-powered dildo that appears in Naked Lunch, and Duran Duran based the song “Wild Boys” on Burroughs’ novel. if I had pitched the story this way maybe my editor would have given the green light. Maybe in a Burroughsesque alternate reality I did have the assignment.

Regardless, he agreed to the interview. I left that evening with a confirmed date and time to interview William Burroughs in Brentwood, California; a very tony part of Los Angeles, for a chat with Bull Lee, the infamous writer of Naked Lunch.

One of the original beats, Burroughs helped spark a cultural revolution. Openly gay, his writing shocked and offended. Come to think of it, it still often shocks and offends. The fact that Burroughs accidently shot and killed his wife William Tell-style and was famous for his copious use of drugs, often drew as much attention as his writings.

Although Junkie was published in 1953, Burroughs is best known for his third novel, Naked Lunch, which underwent a court case under the U.S. sodomy laws.

With Brion Gysin, Burroughs popularized the cut-up technique. A literary technique in which words are edited into weird new juxtapositions and sentences, paragraphs and whole pages are cut up and rearranged.

But, back to the interview. It was set for Saturday morning at an elegantly furnished home in Brentwood. Sadly, I forget the name of the poet who was there with Burroughs. The poet answered the door, let me in and then spent the rest of the time frolicking in the outside swimming pool. As I remember he has weird that Hyundai would it was a large pool. A large pool with exceedingly blue water.

As the poet splashed, I sat and waited in the living room. Burroughs entered wearing a suit. Did he ever not wear a suit? He sat facing me and the interview began with him staring at me in silence. I don’t remember ever being intimidated during an interview, or star struck. I had interviewed a number of celebrities, but here I kept thinking that I was sitting in a room with William Burroughs and my mind went blank. Finally, I opened by asking if he ever used the cut-up technique in his writings. He stared at me for a while and then in a very monotone voice explained that he was no longer interested in the technique.
Silence followed.

My next several questions all elicited a similar response without any change in expression. I considered getting up and leaving to save us all further torture.

And then something shifted. He smiled leaned back and a conversation ensued. We discussed God, or in his case gods. He believed in many, always at war. Time travel; he believed it was possible and that in subtle ways we experience it all the time, but are not aware. How Ginsberg had been the PR genius behind the myth and legend of the Beats. The making of On the Road, and on serving as an advisor on the film. This was before the 2012 film by Walter Salles and Sam Riley that finally made it to the screen. (The production Burroughs was talking about remained still-born, as had so many others). He explained that the information that the government released on heroin and addiction was laughable and totally wrong and that heroin addiction was a disease of exposure. As to addiction, he believed that power addiction was the worst kind.

He liked living in New York (this was before his move to Kansas) because to him it was like living in a village. He walked wherever he wanted to go and his version of Manhattan consisted of only a few blocks.

As the conversation continued Burroughs, although never becoming animated, loosened up, laughed and smiled. He walked me to the door and as I left he said, “Come to New York, stop by, I’ll make you breakfast and we can continue talking.”

Fast forward (there is time travel). Burroughs moved to Lawrence, Kansas and since his death in 1997, officials have dedicated a creek, a nature trail, and even a playground to him. A playground dedicated to Burroughs is something that I feel the writer of Wild Boys would appreciate.

And, as to my breakfast with, although I went to New York often, I never took him up on it.

I liked the memory I was left with. of Burroughs in his trademark suit, laughing as he walked me to the door and an image of a future where the author of Naked Lunch would cook me breakfast.

The Most Important PR Questions for Writers & Filmmakers

Quick questions:

Why are some authors and filmmakers featured in magazines, newspapers, and on TV, while others seem to remain under the radar? 

Why do some careers take off while others falter or flounder?

The quality of the artwork; that’s always a good starting point, but that is seldom the complete answer.

We all know of some magnificent artists whose work seems to be stuck in perpetual twilight, while others, whose work might not be quite as amazing, garner media coverage.

This is rarely a simple matter of luck.  Wait long enough and the media will find you, is seldom a good game plan.   Those authors and filmmakers who achieve media coverage have generally taken their career into their own hands. 

One of most important question an author or filmmaker has to ask is:

Do I care enough to give your art a chance to succeed?

If the answer is yes, here’s the next question -

Are you willing to get out of your comfort zone and actively work to promote yourself and your art?

The most successful artists generally see marketing and PR as a part of their job description.  The upside is it’s not about selling, but about telling compelling stories. Effective PR is effective storytelling.

And who better to tell stories than authors or filmmakers?

The media and the public are interested in the process and in the artist’s journey.  That’s not to say that your story needs to be dramatic, tragic, or theatrical to be effective, but that you need to showcase your work within the context of a story.  Everyone has a compelling story.  All artists, whether they be authors, filmmakers or musicians, have taken a captivating journey.  The trouble is that most are too close to their own experiences to see which stories are the most compelling, which is why working with someone who can view you and your story through a fresh set of eyes can help.

Public relations and marketing are nothing new in the art world.  Centuries ago artists had to promote themselves to patrons, now the focus is on the media and the marketplace.

The myth of the artist is that true artist simply create and wait.

And that myth is precisely that - A myth!

Try that approach and you could be waiting your entire life, while no one sees your work.

Since you need to market is a given, the question is -

How?

Those that can afford to hire a PR firm, should.  Those who can’t should learn PR and marketing steps that they can start on their own.  But the bottom line is that you begin to shine a light on your art

And that you start –

Now!

A Writer’s Holiday Gift of PR

Over the past couple of years, I’ve come across an amazingly generous phenomena in the PR world.

Several prospects who have contacted us around the holidays were not looking for a public relations campaign for themselves, but to give a PR campaign to authors they cared for.

A public relations campaign as a holiday gift?

I’ve had my company for over 25 years and this was new for me.  I’ve had people call to research our company and services for someone else, but not to actually have us launch a PR campaign as a gift.

And these calls I’m referring to were not from spouses or parents, or family members, these calls were from friends, from people who wanted to give a unique, special gift and help writers reach their goals.

When I asked one of these unique gift-givers what prompted them to offer a public relations campaign as a holiday gift to his friend, he paused and then explained that he knew how important his friend’s writing and her new book was to her and that he wanted to do something to help her achieve her dream.

He went on to explain, “It’s not a tangible gift that you can unwrap and I realize it’s not a gift that comes with guarantees, but if I can help her get the word out about her and take her career to the next level, that would be the best gift I could possibly give.  I don’t think she’d invest in herself this way, so I decided I’d invest for her.”

So the holiday spirit burns brightly this year and gift givers are getting more creative and thoughtful.

His response also got me thinking.  What are some other unique gifts we could give to others and to ourselves?

What could you give to friend that they wouldn’t give themselves?

Conversely, what truly important gift would you happily give to a friend, but not to yourself?

Maybe this example of holiday giving can lead us all to start considering.

Maybe it could be a New Year’s resolution –

In the coming year, we’ll look for unique ways to give to others and to invest in ourselves.

It could make for one heck of New Year!